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Have you ever really sat down to think about your life, your purpose, your “element”, and then realize that frankly, your job or career path is not in-line with any of them? Maybe it’s okay to step back and re-evaluate your current situation. Where else can life take you if you realize that we’re more than just a fancy position title and puffed resume– we’re beings, with a purpose.

Image source: http://www.searchenginepeople.com

The biggest fear of any author is that people will hate their work. All authors suffer with this anxiety to a greater or lesser extent; whether they have a history of success or are just starting out; whether they are traditionally published or self-published. In fact, the fear is greater for a self-published author because they don’t necessarily have the sense of validation that winning and agent and a publishing contract provides (not that this is any salve for anxious traditionally published authors). To publish you need to overcome this fear but sadly, for many, they never do. You need to be a special kind of masochist to become a writer.

I’ve spoken in previous posts about how you cannot write something that everybody likes. It’s impossible. Why? Because the things that makes a book interesting and engaging are different for different people. Some people love flowery prose, others detest it. Some…

In addition to writing and teaching, one of the things I do for a living is to evaluate manuscripts for their suitability for publication. I read fiction (and non-fiction) across several genres, and write comprehensive reports on the books. I try always to guide the author towards knocking his or her project into a shape that could be credibly presented to literary agents, publishers and general readers. You know how Newman and Mittelmark introduce How Not to Write a Novel by saying, ‘We are merely telling you the things that editors are too busy rejecting your novel to tell you themselves, pointing out the mistakes they recognize instantly because they see them again and again in novels they do not buy,’ well they’re right; I am one of those editors.

However good the idea behind a novel, when the author is still learning the craft of writing – like any…

I do not only love to read books, I also love reading about books. I’ve encountered a lot of great book blogs out there, and decided to make a big list including all the blogs I follow for easy future browsing.

So I present you with the list of the book related blogs I follow in alphabetical order(please contact me if you think one is missing! It’s a big list and it’s easy to overlook a particular name…):

>>>Last updated September 29th 2014<<<

Do you learn your storytelling from movies as much as from prose? Many of us do. While certain principles can be learned well from both media, others can’t.
I’ve already discussed a few points in previous posts – scenes with a lot of characters, short, choppy scenes and point of view and dialogue. Today I’m going to look at description.

Description in prose aims to give the reader an experience. It fills in the specifics. Description in scripts or screenplays – and novels by writers who don’t read a lot of prose – is often labels or generics. Let me show you what I mean.

Objects
The writer who is more tuned to movies might describe ‘1970s furniture’, or ‘a battered car’. But a great description in prose will talk about the chair shaped like a giant egg, the Toyota with a mismatched door and an unlevel fender.

People

For the last month I have been utterly engrossed in the audio book I Am Malala, the story of an incredibly brave Pakistani girl who stood up to the Taliban for the rights of all girls to have an education. She almost paid for it with her life when at 15 she was shot in the head on a school bus from close range, and even had to endure a smear campaign after she survived.

On Friday, it was announced that Malala has been awarded the Nobel Peace Prize together with the Indian child rights campaigner Kailash Satyarthi, who has worked endlessly to save children incarcerated in human trafficking and advocate for their rights. That a Pakistani and an Indian have received the award together is a powerful message. Announcing the prize in Oslo on Friday, the committee chairman, Thorbjorn Jagland, said it was important for “a Hindu and…